Press kit

LFFF: Feminist animation films – Leeds Animation Workshop at 40!

Sunday 2 December, 3.30pm, Rio Cinema, Dalston. £7.50 to £11.50. https://riocinema.org.uk/RioCinema.dll/WhatsOn?Film=11206395

London Feminist Film Festival presents a one-off afternoon of feminist animation films by the amazing Leeds Animation Workshop, to celebrate their 40th birthday. We’ll be showing a selection of their best feminist shorts from the last four decades, followed by a Q&A, and we’ll also have an exhibition of their artwork and archive material.

Leeds Animation Workshop is a not-for-profit, cooperative company, run by women, which produces animated films on social issues.

London Feminist Film Festival celebrates feminist films past and present from international women directors.

Don’t miss this one-off event to celebrate this fantastic women’s co-op’s feminist films!

IMAGES:

Did I Say Hairdressing? I Meant Astrophysics    

FILM SHORT DESCRIPTIONS:

Give Us a Smile
Director: Leeds Animation Workshop / 13 mins / 1983 / Rating: 15 / UK
Shows the effect of the harassment women live with every day, ranging from ‘street humour’ and media stereotyping to actual physical violence. The film’s criticism of the mass media, sexual harassment, and the objectification of women, as well as the solutions it suggests, are as relevant and thought-provoking today as when the film was released 35 years ago.

Through the Glass Ceiling
Director:  Leeds Animation Workshop / 17 mins / 1994 / UK
Fairytale-based animation about equal opportunities for women, firmly set in the real world of gender stereotyping, sexual harassment, and discrimination. Narrated by Alan Bennett.

No Offence
Director:  Leeds Animation Workshop / 12 mins / 1996 / UK
A modern-day fairy-story about sexist, racist, and homophobic harassment at work. A sequel to Through the Glass Ceiling. Highly relevant in the era of #MeToo.

Out to Lunch
Director: Leeds Animation Workshop / 12 mins / 1989 / UK
Set in a cafe, this film brings together themes of language and space to show how women’s lives are constrained by male expectations. It explores such diverse topics as the slimming industry, building design, and images in the media to show how women’s style is cramped and her space limited.

Did I Say Hairdressing? I Meant Astrophysics
Director: Leeds Animation Workshop / 1998 / Rating: U / 14 mins /  UK
A modernised fairytale animation, investigating why women are under-represented in Science, Technology, Engineering and Maths (STEM). The film uses humour to counter the subtle and not-so-subtle gender typecasting that often prevails, from babyhood right up to professional level.

They Call Us Maids: The Domestic Workers’ Story
Director: Leeds Animation Workshop / 2015 / UK / Rating: PG / 7 mins
Made in partnership with Justice 4 Domestic Workers, the film is based on real life stories of migrant domestic workers, using vivid watercolour animation to reveal some disturbing truths about modern slavery.

FILM LONG DESCRIPTIONS:

Give Us a Smile
Director: Leeds Animation Workshop / 13 mins / 1983 / Rating: 15 / UK
Shows the effect of the harassment women live with every day, ranging from ‘street humour’ and media stereotyping to actual physical violence. Using quotes from real cases, it also shows how women who report rape are often subject to further harassment by the police and legal system. The film was made by women who lived in Leeds during the 1970s and early 80s, when a series of murderous sexual attacks by the so-called Yorkshire Ripper led to a virtual ‘curfew on women’. In response, the many women’s groups already active in the area decided it was time to put their own point of view. An upbeat and often humorous challenge to question what is often taken for granted, with a final sequence showing ways women are fighting back. Featuring music by Lindsay Cooper who wrote the music for Sally Potter’s The Gold Diggers. The film’s criticism of the mass media, sexual harassment, and the objectification of women, as well as the solutions it suggests, are as relevant and thought-provoking today as when the film was released 35 years ago.

Through the Glass Ceiling
Director:  Leeds Animation Workshop / 17 mins / 1994 / UK
Fairytale-based animation about equal opportunities for women, firmly set in the real world of gender stereotyping, sexual harassment, and discrimination. Narrated by Alan Bennett.

No Offence
Director:  Leeds Animation Workshop / 12 mins / 1996 / UK
A modern-day fairy-story about sexist, racist, and homophobic harassment at work. A sequel to Through the Glass Ceiling. Highly relevant in the era of #MeToo.

Out to Lunch
Director: Leeds Animation Workshop / 12 mins / 1989 / UK
Set in a cafe, this film shows a series of incidents between women and men which will be familiar to us all. At the different tables we see women listening while men expound their opinions. Men take up all the space and time they need while women apologise for getting in their way. Different incidents concern black women, women who are fat, and lesbians, but they all share the common experience of being expected to ‘keep to the rules’ in their talk, appearance, and behaviour. The film brings together themes of language and space to show how women’s lives are constrained by male expectations. It explores such diverse topics as the slimming industry, building design, and images in the media to show how women’s style is cramped and her space limited.

Did I Say Hairdressing? I Meant Astrophysics
Director: Leeds Animation Workshop / 1998 / Rating: U / 14 mins /  UK
A modernised fairytale animation, investigating why women are under-represented in Science, Technology, Engineering and Maths (STEM). The film uses humour to counter the subtle and not-so-subtle gender typecasting that often prevails, from babyhood right up to professional level. Winner Feminist Favourite Audience Award at LFFF2017.

They Call Us Maids: The Domestic Workers’ Story
Director: Leeds Animation Workshop / 2015 / UK / Rating: PG / 7 mins
Telling the story of the thousands of women from extremely poor backgrounds around the world who have to find work abroad to support their families. Employed as ‘maids’, and isolated in foreign households, many of these workers find themselves trapped in conditions of great hardship. Made in partnership with Justice 4 Domestic Workers, the film is based on real life stories of migrant domestic workers, using vivid watercolour animation to reveal some disturbing truths about modern slavery.

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